Vol. 8 No. 2 (2023)

Published December 2, 2023

https://doi.org/10.47659/v8n2y2023

Article

Sarah Charlotte Tehan

pp-pp

Photography, Colonialism, and the Archive: Photographic Representation of East African Soldiers Serving in the British Army in the Second World War

https://doi.org/10.47659/mj-v8n2id150

DOI: https://doi.org/10.47659/mj-v8n2id150

Fiona Amundsen

pp-pp

Double-take: Seeing Moana-Oceanic Cold War Nuclear Testing Radioactive Residue in Julian Charrière’s Photographs

https://doi.org/10.47659/mj-v8n2id145

DOI: https://doi.org/10.47659/mj-v8n2id145

Paul Grace

All is War: Photographs, Text and Discourse

https://doi.org/10.47659/mj-v8n2id147

DOI: https://doi.org/10.47659/mj-v8n2id147

Witold Kanicki

1–31

Polaroidisation

https://doi.org/10.47659/mj-v8n2id156

PDF (OPEN ACCESS)

DOI: https://doi.org/10.47659/mj-v8n2id156

Oleksandra Osadcha

33–76

Viktor and Sergiy Kochetov “Non-approved Moments”

https://doi.org/10.47659/mj-v8n2id136

PDF (FREE ACCESS)

DOI: https://doi.org/10.47659/mj-v8n2id136

Interview

Oto Luthar, Martin Pogačar

pp-pp

War between Image and Word: Art and Violence through History

https://doi.org/10.47659/mj-v8n2id349

DOI: https://doi.org/10.47659/mj-v8n2id349